Renowned filmmaker Barry Jenkins has opened up about his decision to direct Mufasa: The Lion King, offering a surprising explanation for stepping into the world of computer-generated imagery (CGI).
The film, a prequel to Disney’s 2019 The Lion King “live-action” remake, is slated for release on December 20 and features photorealistic CGI to bring the savanna to life.
Jenkins revealed that his initial reaction to the project was far from enthusiastic. He mentioned that when Disney first sent him the script, he planned to skim it and decline the offer.
After temporarily forgetting about the assignment while on vacation, Jenkins revisited the script with reluctance. His wife, filmmaker Lulu Wang, challenged him, questioning if he was hesitant to read it. Jenkins decided to read a few pages but ended up engrossed in 50, ultimately admitting that the script was unexpectedly compelling.
Despite being impressed with the story, Jenkins acknowledged that transitioning to a CGI-heavy project was daunting. He admitted that CGI filmmaking is not something he naturally gravitates toward.
He described the process as relying heavily on an empty soundstage, without the tangible sets and costumes typically present in live-action filmmaking.
Jenkins expressed that he preferred working in environments where physical elements like light, people, and natural surroundings can be used creatively to shape the narrative and visuals.
Jenkins shared that he initially questioned his own ability to helm such a visual effects-heavy project, considering his limited experience in this area.
However, he found the challenge invigorating, believing that anyone with determination could tackle the complexities of CGI. He took on the project partly as “work for hire” to ensure steady employment in Los Angeles, where he and Wang reside.
The filmmaker reflected on the unique demands of creating Mufasa, emphasizing that he prefers a more organic approach to storytelling. He explained that his creative process usually involves utilizing existing elements to craft something deeply moving and meaningful.
While he appreciated the opportunity, Jenkins noted that he looks forward to returning to projects where physical sets and natural environments play a significant role.
Mufasa: The Lion King is set to hit theaters on December 20, promising a visually stunning prequel to the beloved Disney classic.