“The Long Game” Dethrones “Beverly Hills Cop: Axel F” on Netflix

Netflix

After dominating Netflix’s top 10 list for nearly two weeks, “Beverly Hills Cop: Axel F” has been dethroned from its #1 spot.

This time, the contender is not another Netflix original, but rather the 2023 film “The Long Game,” featuring Dennis Quaid, Jay Hernandez, and Cheech Marin.

“The Long Game” has gained significant traction among viewers, achieving an impressive 81% critic score on Rotten Tomatoes and an outstanding 97% audience score.

Despite its modest $3 million worldwide box office performance, the film has found new life on Netflix, becoming one of the most-watched movies in the country thanks to the platform’s vast audience.

“Beverly Hills Cop: Axel F” marked Eddie Murphy’s triumphant return to the iconic role that originally catapulted him to stardom. The film received solid reviews and widespread praise for Murphy’s performance.

While there is no official word on a fifth installment, the success of “Axel F” suggests that there is still a strong appetite for Murphy and his beloved character.

Taking the third spot on Netflix’s top 10 list is “Vanished in the Night,” an Italian mystery where a couple searches for their missing children. This film has captivated audiences with its suspenseful plot and gripping narrative.

“A Family Affair,” another Netflix favorite, has slipped to fifth place after enjoying its own extended stay at the top. The remainder of the list is populated by perennial kids’ favorites, including “Minions,” “Super Mario Bros,” and “Shrek.”

Joining these family-friendly hits are “Cloudy with a Chance of Meatballs 2” and the 1994 classic “Little Rascals,” which have both secured spots in the top 10.

The rapid ascent of “The Long Game” underscores the unpredictable nature of streaming audiences and their preferences. While big-budget blockbusters often dominate, smaller films can still achieve remarkable success and capture the hearts of viewers.

As Netflix continues to offer a diverse array of content, it remains a dynamic platform where any film, regardless of its initial reception, can find a second chance and a new audience.